This theater piece is a modern comedy- grotesque. Show based on psycho-philosophical premises, where an everyday phenomenon not treated in a way everyday. Watching the characters from the psychological aspect, this part deals with the problem of the individual as an individual who when confronted in his / her life with a new situation, here it comes specifically to individuals who come to power, but which have not been able to face with that situation, so they lost emotions, alienated and replaced in other individual. Therefore, looking at the psychological aspect, and presented the characters not treated as fixed categories but as a fluid category, therefore, these characters metamorphose and change from one identity to another, from one to another characters appear multi valense from the situation in which found. Here we are not concerned with psycho pathology and various human personality, but simply treated these characters is presented in a way and how they articulate their own language, the language consisting of words which they are determined to and defined as such or as like are, but that put the individual or specific character be the "captive" of words, words that the symbols and spectral replace different. In this part haunted (fantasme - ghost) and common imperative is that the characters at any cost and by what method will be realized their fictions, february imperative is clear: The coming to power, and its fantasmys- ghost is: Power. But when they come to power rather than to overcome their problem and fantasme imperative, they also invest more and blocked on these, only only to break fiction to not their ruling that in their mental mind. To protect this "power" they use violence, repression and dictatorship, and its reflection of rulers take from others who are subjected. Watching from the philosophical aspect, and stated here several categories actualize in universal Controversies: The good-evil, human-inhuman, inside-out, etc, simple phenomenological aspect is treated as a ruling power. "The Gun"is a structural text and ends with one end closed and so structuralist, where there is a vicious circle of power around which tends to live in the infinite-infinite. Constructivism and the theories deconstructivisme happen in moments when it comes to power as a power character, articulates its theory-dogma during the time until the current rulers replaces another character as the power of His power and who deconstructions previous theory and power begins dogma to articulate his theory, until comes during another, then another ... and so on to infinite. Author: Gabor Gorgej. Director: Nehat Memeti. Performed: Musa Isufi (Cuki), Gani Veseli (Monarchyst), Mensur Kuka (Willager), Ridvan Murati (Miler), Betim Zaqiri (Kish). Theatre "Talia" Kumanovo 2004.